Cosmetic Display Boxes.

Under a minute, with no tools, or a busy store never puts it out. The base is an auto-lock design that folds square and locks itself when pushed flat, and the header slots in without tape.

Retail buyers judge a display on set-up speed before they judge it on looks. A unit that needs instructions ends up in the stockroom, which is the failure the structure is designed to avoid.

Yes. A shipper-display arrives assembled and filled, and the retailer tears away a perforated top section to turn it into the display in one step. The tray below stays as the merchandising unit.

Shelf-ready presentation of this kind is often a listing condition with larger chains. It removes the set-up step entirely and means the display goes out with the stock rather than after it.

E-flute corrugated with a litho-laminated print face. The flute gives compression strength to stay upright fully loaded, and the offset-printed sheet bonded to it gives graphics that hold up at arm's length on a counter.

Heavier loads and taller floor units move to B-flute where E-flute would buckle. The header is cut from a heavier grade or greyboard than the body so it stays flat instead of bowing forward under the lights.

Each format needs a different cell: round cells sized to the tube for lipstick, taller cells with a secure base for mascara, and angled slots for nail polish so the cap and bottle colour show together. A front lip at roughly 60 to 70 percent of the product height holds most items without making them hard to lift out.

Steps between rows keep the back row visible. Send product dimensions and we'll build the cells around your SKUs.

Gloss lamination on the body for wipeability and matt on the header to cut glare under retail spotlighting. Displays get handled all day at a till point, so the print surface has to survive it.

Spot UV on the header brand mark draws the eye from across the aisle. A die-cut silhouette on the header breaks the rectangle of a standard fixture, and aqueous coating is the choice where the display has to stay recyclable.

A counter unit runs about 8 x 6 x 10 inches and a shelf tray around 12 x 8 x 3 inches. Those are starting points. The footprint is negotiated with the retailer, and the display is designed to the accepted inches and never larger.

The buyer's first question is facings, so we specify units per row on the drawing. Sizing the tray to the wholesale case means it lands full and empties toward a reorder.

500 displays. For a brand going into 25 to 50 locations with one unit each, that covers the initial placement and leaves stock for replacements as displays wear.

Pricing tiers again beyond 1,000 units. Plan on a display living six to twelve months at a counter before it needs replacing, and set the reorder cadence from that.

Production runs 7 to 10 business days from approved artwork, or 5 to 7 business days on a rush. A sample takes 5 to 7 business days and should be loaded with real product before the design is signed off.

The sample fee comes off the bulk invoice. With recycled fluting and an aqueous coat instead of laminate, the whole unit goes in the corrugated stream when the promotion ends.