
Cosmetic Subscription Boxes.
Final price depends on size, material, finish and quantity. Your packaging manager confirms it before production.
Your custom box, quoted.
The full specification book.
Six chapters. Six colours. Click a tab to turn the page.
Cosmetic Subscription Boxes
A shipper with no outer case, so it takes the carrier network alone and still has to open well.
Sortation, drops and stacked compression, then a reveal on camera. Every subscription box negotiates between those two, and the ones that fail optimised for the photograph.

Every detail. Intentional.
Tested before launch
ISTA 6 or comparable, on filled boxes.
E-flute, B for glass
Flute follows what the curation contains.
Inside print pays back monthly
Paid once, working every month.
Insert controls the reveal
The first sight is designed.
Right-sizing compounds
An inch is charged on every renewal.
Void fill is the symptom
Lots of it means the box is too big.

Built like architecture.
Every order of Cosmetic Subscription Boxes is an engineered build, measured, dieline-cut and hand-wrapped to spec. Below is the standard build sheet.
✦ Need a custom spec? Talk to our atelier. Every detail is negotiable.
Every surface, hand-selected.
What this product is built from, and the surfaces it takes. Below the build sheet sits the full swatch library. Every option applies across our range, and a physical swatch set is available on request.
Material
The board and paper your box is built from.
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How the outer surface looks, feels, and catches light.
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Closures, linings, and hardware that complete the build.
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◷ FINISH✦ Mix and match across all three and we'll build your exact combination.
The full kit of capabilities.
Sizing & dieline.
We cut Cosmetic Subscription Boxes to a dieline built around your product instead of pulling a stock size off the shelf. Send us the length, width and height of the item (or the item itself) and we return a measured dieline, free, before you commit to anything.
Length, width and height of the item itself, at its widest points. Measure the product, not the box you happen to use today.
Allow 2–4 mm on each axis for a snug fit, and more if you are adding foam, a pillow insert or tissue.
We quote as Length × Width × Height. Tell us whether you are working in millimetres or inches and we match it.
✦ Not sure of your size? Send us the product and we measure it and build the dieline.
Pricing & minimums.
We price Cosmetic Subscription Boxes per specification rather than from a fixed list, because the same build in two different finishes can land at very different numbers. Below is what actually moves the price, so you can shape the spec before you request a quote.
The single biggest lever. Unit cost falls sharply as volume rises, because setup and tooling spread across more pieces.
Board weight and stock choice change both the raw material cost and the shipping weight of the finished run.
Foil, spot UV, embossing and soft-touch each add a pass on press. One or two lift the box; five compound the cost.
Full-bleed print inside and out costs more than a one-sided design on natural stock.
Foam, moulded pulp, velvet pillows, magnets and ribbon are priced per piece on top of the box itself.
Standard production is the base rate. Rush moves you up the production queue and carries a surcharge.
✦ Quotes returned within 24 hours.
Questions, answered.
Everything you need to know about Cosmetic Subscription Boxes.
Because it travels through the parcel network with no outer case, so it's a shipper and a presentation box at once. A gift box rides inside a carton. This one takes the sortation belts, drops and stacked compression on its own, then still has to open well on camera.
Every decision on the structure is a negotiation between those two jobs. The boxes that fail are the ones designed for the photograph first.
E-flute for a typical beauty-weight box and B-flute when the month's contents include glass bottles or heavier full-size product. E-flute prints well and folds crisply. B-flute is thicker and absorbs more of a drop.
We test filled boxes to ISTA 6 or a comparable protocol before full production, because a failure discovered after 5,000 boxes ship is an expensive one.
A folded paperboard platform holds each item in a fixed position, so the box opens to the arrangement you designed rather than a jumble. It stops items shifting in transit and sets the order in which they are seen.
The platform is die-cut to the month's items, so where the contents change monthly, the insert is usually the only tooling that changes. The outer box stays the same.
Yes. Interior print is the cheapest meaningful upgrade in this category. It is paid for once at setup and works on every month's delivery, and it is the first thing the subscriber sees when the lid lifts.
On the outside, matt lamination photographs well under the ring lights these boxes constantly meet. Soft-touch is noticed at the doorstep, and spot UV suits a monthly theme graphic on the lid. Uncoated kraft is the plastic-free route.
Around 9 x 6 x 3 inches is typical for a beauty curation, with 10 x 8 x 2.5 inches for a flatter layout. Right-sizing matters more here than on any other box, because carriers charge dimensional weight on the box and an extra inch is billed on every renewal.
Lots of void fill is the symptom of a box that is too large. Size to the insert, and let the insert be sized to the contents.
The floor is 500 boxes, which is one month's shipment for a small subscription. The price per box keeps dropping as the quantity rises.
Because the outer box usually stays constant month to month, ordering several months of outers in one run and changing only the insert is a common way to bring the unit cost down without committing to contents in advance.
Standard production is 7 to 10 business days, rush is 5 to 7 business days, and a sample takes 5 to 7 business days. The sample is where a filled box gets dropped and stacked, so build that into the calendar before the first shipping date.
Sample costs are credited when the bulk order is confirmed. Once the structure is proven, monthly repeat runs go straight to press on the same schedule.
Yes. Recycled corrugated with an uncoated kraft finish keeps the box in the paper stream without giving up protection. The flute does the protecting, and the liner only affects print.
Skipping the laminate is increasingly the deliberate choice in a category that lands on a doorstep every month. Where you need a printed white face, a white coated liner still recycles with cardboard.
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