
Kraft Paper Tubes.
Final price depends on size, material, finish and quantity. Your packaging manager confirms it before production.
Your custom tube, quoted.
Design it before you ask for it.
Set the diameter and height, shuffle through curated colourways, then see exactly what each finish does to the surface. No account, no artwork needed.
YOUR TUBE, EXACTLY AS YOU SPEC ITPACKTIST ATELIER
75 × 150 mm
Raw fibre left visible. Honest, tactile, recyclable.
The full specification book.
Six chapters. Six colours. Click a tab to turn the page.
Kraft Paper Tubes
Unbleached plies wound into a cylinder. Natural positioning with real structural strength.
Long virgin fibres make kraft stiffer than bleached board at the same caliper. Brown shifts every ink laid on it, which is why one or two colours and bold marks are what actually work.

Every detail. Intentional.
More strength per point
Longer fibres, more strength.
Ply count to the load
Two-ply light, four-ply structural.
Brown shifts every colour
Whites need an underprint to exist.
Foil on kraft
Exceptional contrast for very little cost.
Board ends keep it fibre
Which is what preserves the recycling claim.
Recycled grades available
Step up a ply for the lost stiffness.

Built like architecture.
Every order of Kraft Paper Tubes is an engineered build, measured, dieline-cut and hand-wrapped to spec. Below is the standard build sheet.
✦ Need a custom spec? Talk to our atelier. Every detail is negotiable.
Every surface, hand-selected.
What this product is built from, and the surfaces it takes. Below the build sheet sits the full swatch library. Every option applies across our range, and a physical swatch set is available on request.
Material
The board and paper your box is built from.
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How the outer surface looks, feels, and catches light.
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◷ FINISHAdd-ons
Closures, linings, and hardware that complete the build.
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◷ FINISH✦ Mix and match across all three and we'll build your exact combination.
The full kit of capabilities.
Sizing & dieline.
We wind and cut Kraft Paper Tubes to your product instead of pulling a stock size off the shelf. Send us the diameter and height of the item (or the item itself) and we return a measured spec, free, before you commit to anything.
A cylinder needs two figures, not three: the diameter across its widest point, and the height. Measure the item itself, not the pack you happen to use today.
Allow 2–3 mm on the diameter so the product drops in without binding, and a few millimetres of headroom if a lid, pillow or tissue sits on top.
We quote round formats as Diameter × Height. Tell us whether you are working in millimetres or inches and we match it.
✦ Not sure of your size? Send us the product and we measure it and build the dieline.
Pricing & minimums.
We price Kraft Paper Tubes per specification rather than from a fixed list, because the same build in two different finishes can land at very different numbers. Below is what actually moves the price, so you can shape the spec before you request a quote.
The single biggest lever. Unit cost falls sharply as volume rises, because setup and tooling spread across more pieces.
Board weight and stock choice change both the raw material cost and the shipping weight of the finished run.
Foil, spot UV, embossing and soft-touch each add a pass on press. One or two lift the box; five compound the cost.
Full-bleed print inside and out costs more than a one-sided design on natural stock.
Foam, moulded pulp, velvet pillows, magnets and ribbon are priced per piece on top of the box itself.
Standard production is the base rate. Rush moves you up the production queue and carries a surcharge.
✦ Quotes returned within 24 hours.
Questions, answered.
Everything you need to know about Kraft Paper Tubes.
Because the brown board shows through every ink laid on it, and shifts each colour towards brown. Pale tints disappear, and a four-colour photograph loses its highlights.
This is the physics of an unbleached sheet, not a print fault. If you need accurate full-colour, a white wrap over the kraft body gives the natural edge with a clean print surface.
One or two colours, bold marks and generous type. Black, deep navy, a strong red and white all hold up. Fine detail and pastel shades do not.
Foil is the exception to the colour rule. Gold or copper foil on kraft gives exceptional contrast and is the finish most brands choose for the logo.
At the same thickness, yes. Virgin kraft has longer fibres than bleached board, so the wound wall is stiffer per caliper. You get the same crush resistance from a slightly thinner, lighter wall.
That is why the plain kraft tube is the founding format of the category. The strength is in the fibre, not in any coating or wrap.
Yes. A kraft body, a paper wrap and paperboard caps make an all-fibre pack that recycles as one item. No liner, no metal, nothing to separate.
Adding a food-grade liner or metal caps changes the claim, so tell us what you need to say on the pack and we build the spec to match it.
Yes. Post-consumer waste grades are available for the wound body. The recycled ply is a little less stiff than virgin kraft, so we may add a ply to reach the same wall strength.
The surface of recycled kraft shows more fibre variation, which most natural brands like. If you want a consistent tone, a virgin kraft outer ply over a recycled core gives both.
Better than on almost any other stock. The matte brown surface makes a metallic foil read brighter by contrast, and the fibre texture shows softly through the foil edge.
Gold, copper and rose gold are the usual choices. Silver works too. We keep the foil area to a logo or a rule, because a large foil panel loses the natural look you chose kraft for.
300 units in one size and design. A plain kraft tube with a one-colour print is the lowest-cost build in the tube range, and the minimum is the same as any other.
Common sizes are 2 by 6, 3 by 9 and 4 by 12 inches, and any diameter can be wound to your product.
7 to 10 business days after approval, or 5 to 7 on rush, with samples in 5 to 7 business days. A one-colour kraft tube tends to sit at the fast end because there is less print to schedule.
The sample is worth ordering if you are printing colour on the kraft, because the brown shift is easier to judge on a real tube than on a screen proof.
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